tag:blogger.com,1999:blog-72763770359883817932024-03-13T13:15:57.373-07:00sahustickRajesh Sahuhttp://www.blogger.com/profile/01473521937248158603noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-7276377035988381793.post-49486613761593284292015-07-22T11:04:00.000-07:002015-07-22T11:06:33.178-07:00Bas Karo Bhaijaan<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: black; font-family: "American Typewriter"; font-size: 11.0pt; mso-bidi-font-family: "Segoe UI";">The way Nawazuddin Siddiqui steals
the show in the second half, giving a semblance of sanity to Bajrangi Bhaijaan,
clearly shows the influence of new age cinema directors and actors. The regular
potboiler, which is dished out in the name of commercial cinema, stands
completely exposed. It might give you the ‘100 Crores’, but don’t ask the
serious moviegoers to endorse it as well.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp_Lko1-_UxKt3y95LRjdGv10WoFDzIzaxet9fMOzyLlKrCz8PEfJRoDad9zrgiyGshE2JMsmlnfVcUegwo5cyharsBdbqm4AlPF_MYgV4mumWbJzVK2zrb78i89gBrNzihRKwLzSYeJA/s1600/bajrangi-bhaijaan2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp_Lko1-_UxKt3y95LRjdGv10WoFDzIzaxet9fMOzyLlKrCz8PEfJRoDad9zrgiyGshE2JMsmlnfVcUegwo5cyharsBdbqm4AlPF_MYgV4mumWbJzVK2zrb78i89gBrNzihRKwLzSYeJA/s200/bajrangi-bhaijaan2.jpg" width="171" /></a><span style="color: black; font-family: "American Typewriter"; font-size: 11.0pt; mso-bidi-font-family: "Segoe UI";">BB could be divided into two parts
– pre Nawaz and post Nawaz; effectively the first and second half. Least said
about the first half the <span style="mso-spacerun: yes;"> </span>better. A
predictable implausible script, below par acting – Salman Khan and Kareena
Kapoor Khan were almost playing themselves, <span style="mso-spacerun: yes;"> </span>and the filmmakers managed to find a girl, who
could match Salman in that department – being stone-faced. The story and
dialogue are average and the songs don’t make any sense; helping only in
pulling the film from going forward. <o:p></o:p></span></div>
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<span style="color: black; font-family: "American Typewriter"; font-size: 11.0pt; mso-bidi-font-family: "Segoe UI";">Aseem Misra’s camera work in most
parts is <span style="mso-spacerun: yes;"> </span>apt, easy on the eye rather than
spectacular, which helps the film.<o:p></o:p></span></div>
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<br /></div>
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<span style="color: black; font-family: "American Typewriter"; font-size: 11.0pt; mso-bidi-font-family: "Segoe UI";">The introduction of Nawazuddin in
the second half comes as a breath of fresh air. One could clearly see his
inputs in improving whichever scene he is in. Be it the snide remarks, calling
Salman ‘begum’, coming back to the frame while winding up his piece to camera,
wiping his face after kissing the bus driver’s hand et cetera.<o:p></o:p></span></div>
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<br /></div>
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<span style="color: black; font-family: "American Typewriter"; font-size: 11.0pt; mso-bidi-font-family: "Segoe UI";">But the lift in the tempo is
marred by the long drawn out far-fetched climax.<o:p></o:p></span></div>
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<span style="color: black; font-family: "American Typewriter"; font-size: 11.0pt; mso-bidi-font-family: "Segoe UI";">I generally watch movies on the
first day of release itself but missed this and watched only on Tuesday. As
there was a general good buzz about the movie, I was hoping Kabir Khan might
just have out done himself. The expectation might have contributed to the big
disappointment.<o:p></o:p></span></div>
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<span style="color: black; font-family: "American Typewriter"; font-size: 11.0pt; mso-bidi-font-family: "Segoe UI";">But the temptation to go for a box
office success has made him go for a complete commercial fair. No one can
question Kabir as he’s delivered yet another blockbuster. What I can’t
understand is why one must mount a movie at such a level that my 16 year old
son pleads with me to leave at the interval. But am happy, I could convince him
to stay on to see Nawazuddin show them the mirror.<span class="apple-converted-space"> </span> <o:p></o:p></span></div>
</div>
Rajesh Sahuhttp://www.blogger.com/profile/01473521937248158603noreply@blogger.com0tag:blogger.com,1999:blog-7276377035988381793.post-28303653383653793142014-06-02T02:34:00.000-07:002014-06-02T02:37:35.341-07:00Shocking First Half<div dir="ltr" style="text-align: left;" trbidi="on">
It was shocking to see India's preparedness for Hockey World Cup's first match. No, it was not by design the team was playing a tactical defensive first half, conceding a solitary goal. The team was lucky and should thank Sreejesh and Bikram Lakra for thwarting numerous Belgian attacks.<br />
<br />
It was like a college team playing a national side....they couldn't manage the basics right. Forget anticipation and off the ball running, they couldn't trap the ball and the ones they did...were not sure what to do next - holding the ball long enough so that Belgian players could come and snatch it from them.<br />
<br />
The 3-2 score and the last minute goal is only incidental. As a team there should have been more urgency. The weakest link - Manpreet Singh. Like the entire match, he was completely lost when Belgium scored the winner. And also can't remember him essaying any through ball either. On the other hand Mandeep Singh's approach is like a breath of fresh air. He has the necessary skills of a predator and a complete team man. Akashdeep Singh also looks like someone who's in for a long haul. I believe he's quite shy but no instant celebration (TV replay) when Mandeep scored the equaliser....<br />
<br /></div>
Rajesh Sahuhttp://www.blogger.com/profile/01473521937248158603noreply@blogger.com0tag:blogger.com,1999:blog-7276377035988381793.post-60621982097510471672013-09-12T09:16:00.000-07:002013-09-12T09:21:15.512-07:00Shuddh Desi Cinema<div dir="ltr" style="text-align: left;" trbidi="on">
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<br />
<div class="MsoNormal">
<span style="font-family: "Book Antiqua";">I’m
really excited and can’t stop raving about the new crop of filmmakers. If
Maneesh Sharma’s Band Baja Baaraat had stunned you with its freshness in content
as well as treatment, then the director’s latest offering, Shuddh Desi Romance has
raised the bar a notch higher. The Delhi director has got back the magic of
story telling after a small aberration called Ladies v Ricky Bahl. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Book Antiqua";">First,
the absolute positives...for a change the protagonist of a Hindi commercial
cinema is actually dumbfounded when he’s around girls. He can’t rattle off
witty lines to impress girls but Raghu Ram (Sushant Singh Rajput) does impress,
in fact two of them. Sushant gets to romance two 'desi' girls who are 'videshi' in their ways. And they want to remain glued to him, so what if he ran away
from the wedding <i>pandal</i> of Tara
(Vaani Kapoor) in front of Gayatri (Parineeti Chopra). They both want him.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Book Antiqua";">For
an out an out commercial venture, the director has the three main leads talking
to the camera in between scenes – on their take at that particular moment. But
it would have been better if it could have related/revealed feelings, which
were not so obvious. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Book Antiqua";">As
far as performances go, all three of the main leads are outstanding. Maneesh
has the ability to extract the best from his actors – remember Ranveer and
Anushka’s power-packed acting in BBB. Parineeti has again not struck a single
wrong note. Her role might not be very different from the I-care-a-damn bubbly
girl-next-door, but you have to give it to her – she’s flawless as Gayatri. <o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Book Antiqua";">Sushant’s
a difficult one. Writer Jaideep Sahni of Khosla ka Ghosla and Chak de India
fame has etched out two clearly defined and distinct female characters but
Raghu Ram is full of contradictions. The way it is written and acted, is open to
debate. He is a tour guide who, at best, is insecure and unsure; but manages to
lure two smart and bold women into bed. From going as a hired <i>baarati</i> to running away from his own
wedding – Sushant had a lot on his plate. He manages to portray all the
contradictions of the character. Brilliant. Many might argue that the character
could have been handled ‘differently’ but could never have been handled
‘better’. The other female lead Aussie import Vaani Kapoor also has not given
any reason to complain. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Book Antiqua";">In
fact the heavy indulgence with lead players, did leave all the other characters
looking like caricatures. Even Rishi Kapoor, playing a wedding planner, struggles
to leave a mark, despite getting a meaty role – not to take away from his
acting prowess. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Book Antiqua";">Another
big plus has been the way songs have been interspersed with the story telling.
And the difficult task of shooting entire song sequences in one room has been
overcome with brilliant shot division using jump cuts. But you wish that the
love making scenes could have been more hurried and rough than the beautifully but
measured one. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Book Antiqua";">If
in BBB it was the brilliant usage of by lanes of crowded Delhi, , then SDR
exploits the colour, mood and chaos of the Pink city to the hilt. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Book Antiqua";">The
light-hearted, chaotic climax may not appeal to many but brings out our
over-indulgence in the institution of marriage in a lighter vein. Not a very
emotional or dramatic climax as the director lets you wear the objective lens
to gaze at his cinema. <o:p></o:p></span></div>
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<span style="font-family: "Book Antiqua";">A
truly outstanding effort! Gosh, we are living in good times!<span style="font-size: medium;"><o:p></o:p></span></span></div>
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Rajesh Sahuhttp://www.blogger.com/profile/01473521937248158603noreply@blogger.com0tag:blogger.com,1999:blog-7276377035988381793.post-44692659662557140202013-07-28T14:05:00.000-07:002013-07-30T01:09:37.151-07:00NO RANG IN THIS BASANTI<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "Book Antiqua","serif";">Earlier I used to boast about how we never felt the need to book tickets in advance for a movie. That’s because within three kilometer radius of where we stay (Indirapuram), there are at least a dozen multiplexes. Not anymore. <o:p></o:p></span></div>
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<span style="font-family: "Book Antiqua","serif";">After trying at four places on the first day, I gave up and settled to watch Bhaag Milkha Bhaag on Monday. All my friends, family liked the movie but I was disappointed. And the reasons could be many. May be I’m now used to watching emotions hidden beneath a layer - thanks to new young filmmakers like Vikram Motwanes, Anand Rais and Dibakar Banerjees. And no longer like human emotions so pronounced and on the surface, am now used to subtlety. <o:p></o:p></span></div>
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<span style="font-family: "Book Antiqua","serif";">May be like me many of us watched with two filters – one as a movie fan and the other as a mad sports follower. C’mon this is not a sports film even if run your imagination faster than Milkha Singh in his hey days. <o:p></o:p></span></div>
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<span style="font-family: "Book Antiqua","serif";">The biggest moment of Milkha Singh’s sporting career is literally hidden at the top. There is no mention of the Rome Olympics moment anywhere in the rest of the movie. And an inconsequential Indo-Pak Friendly event has been preferred as the climax of the movie. Prasoon Joshi, I’m sorry, you might be the most sought after lyricist and writer but you should have shown the script to a sports fanatic before filming.<br /><o:p></o:p></span><br />
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<span style="font-family: "Book Antiqua","serif";">Like the good old days, Farhan Akhtar becomes a world class athlete from being a knife wielding errant youth within a span of one song shot in the hills. The overplayed trials and tribulations of the hero take centrestage and coaching, strategising the nuances of the sport is sadly missing. <o:p></o:p></span></div>
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<span style="font-family: "Book Antiqua","serif";"><br />Rakeysh Omprakash Mehra might say he didn’t make a sports film, but why not…why not a sports film on one of India’s greatest sporting legend. You can also make millions by telling how an athlete becomes a winner in a pure sports way - how to get off the block faster…how to run the curves….how to run the first 100m….then the next…then the next. Milkha Singh deserved a true sports film. Learn it from the masters of Hollywood, how they turn them into blockbusters. <o:p></o:p></span></div>
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<span style="font-family: "Book Antiqua","serif";">And then it’s completely unjustified to make full blown scenes out of hero getting excused from regular drill sessions, wearing or stealing the Indian jersey, which contributed immensely to make it a three and a half hour long film. Some of the scenes like a ghee drinking one near the police station did not add anything to the movie or the hero’s character. May be Rakeysh Mehra wanted to portray how corrupt and helpless Delhi police were even then. Simple logic – if you do not have powerful content, enough content then chop the damn movie. The director, producer, everyone must have seen the movie multiple times at the post and post the post production, why nobody decided to cut out a few scenes, which they could easily done making the story telling even crisper. <br /><br />And what was the need to handle Milkha Singh’s troubled past with kid gloves. He might have turned a hooligan in his youth but the director has been so careful not to tarnish his image that it irritates you. May be Rakeysh Mehra didn’t want to upset Milkha Singh. After all he’d given the director the rights to make the film for one rupee. <o:p></o:p></span></div>
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<span style="font-family: 'Book Antiqua', serif; line-height: 150%;">Now the makers are basking in the success of the movie. Remember reading Farhan Akhtar’s interview somewhere that the biggest compliment he got was when Milkha Singh cried watching the movie. I have been a sports producer and have made some of the most well-known sportstars cry by producing 2-3 minutes packages on them. So why waste three and a half hour film. </span></div>
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Rajesh Sahuhttp://www.blogger.com/profile/01473521937248158603noreply@blogger.com1